Monday, March 19, 2007

[2006] Josh Groban - Awake (Mp3 Download)

Review by Matt Collar @ allmusic.com
Longtime fans of Josh Groban should be pleased to know that the vocalist's third studio album, Awake, features more of the polished, well-crafted, and emotionally grand classical crossover pop he has become known for. In fact, the album is perhaps his most appealing and deviates little from his previous outings. Here listeners get a mix of original songs -- some co-written by Groban -- that trade between more classical/opera-oriented songs sung in Italian and more pop-oriented songs in English. Interestingly, the tracks co-penned by Groban are some of the most compelling, and showcase his knack for a kind of '60s Scott Walker baroque pop meets '80s Diane Warren adult contemporary vibe. This brings up the only problem with Awake, which is that as Groban's music has moved closer and closer to pop, the necessity of utilizing Italian becomes increasingly nebulous. Truthfully, barring any awkward translations, most of these songs would sound fine sung in English and generally come off as very good Italian pop songs. So, despite being quite listenable, from a mainstream pop point of view the use of Italian is great for lending the album a sheen of pan-European classical regality, but in some ways limits the emotional impact of the songs to only those who understand Italian. None of this really matters, though, to fans of Groban, who justifiably respond to his superb technique, silky tone, and bedroom eyes. It doesn't hurt either that he's brought along some unexpected guests this time around in the African vocal group Ladysmith Black Mambazo, appearing here on two tracks, as well as legendary jazz pianist Herbie Hancock, who shows up on the angular and half-funky "Machine." It's also great to hear Groban dig into an adaptation of "Un Giorno Per Noi," Nino Rota's theme to Franco Zeffirelli's classic 1968 film Romeo and Juliet. The song, as Awake itself, is a grand collision of pop culture and co-opted classical themes from then and now, and perfectly embodies everything that has made Groban so successful.


Track Lists
01. Mai
02. You Are Loved (Don't Give Up)
03. Un Dia Llegara
04. February Song
05. L Ultima Notte
06. So She Dance
07. In Her Eyes
08. Solo Por Ti
09. Now Or Never
10. Un Giorno Per Noi
11. Lullaby
12. Weeping
13. Machine

[2006] Enigma - A Posteriori (Mp3 Download)

Review by Thom Jurek @ allmusic.com
Enigma records must sell here in the States. In Europe, where virtually anything goes, they do; but here, one has to wonder after five albums that are only subtly different from one another, along with countless singles and 12" remixes, what's left to engage the imagination. Such is the case with A Posteriori, which in Italian means anything from "what comes after" to "behind." Dedicated to "all visionaries of human race" (sic), A Posteriori is once again beautiful in its sonics, textures, and grooves. Michael Crétu does almost everything here save for a couple of recitations. Once more, the songs of Enlightenment composers such as Gesualdo and Monteverdi are sampled in the tranced-out mix. Are they prayers? Are they amorous songs? Unless you can understand Latin or Italian, there's no way of knowing. But Crétu has always been able to weave together the spiritual and the carnal, and it's his trademark. The more obvious trance and house beats are a near constant. One has to believe that if the folks in Tangerine Dream would have started in the 1990s instead of the 1960s, they'd sound something like this, as many of Crétu's pulsing textures are reminiscent of Tangerine Dream's Stratosfear and Tangram years. While the sound Crétu employs is now familiar, perhaps listeners should be thankful for it. He's managed to find something that works, and goes for it with gusto. Perhaps nothing on this set is as striking as "Remembrance," but then who would ever want to hear that cut again? "Feel Me Heaven" is a wild, pulsing, throbbing trance cut that blends everything listeners know of Crétu's previous music into a lovely whole. It is followed by "Dreaming of Andromeda," a slower though no less hypnotic slice of chilled house. Some things here seem just plain dumb -- "Dancing with Mephisto" and "Sitting on the Moon" feel more like new age cuts than anything else. Crétu's vocal on the latter sounds like Robbie Robertson's from his solo albums. The glissando guitar that opens the completely dancefloor-driven "Invisible Love" works well, but Crétu's vocals are irritating. The shifting dynamics in "The Alchemist" make it one of the most compelling cuts on the disc, and it is a perfect candidate for an extended remix by some wise and imaginative soul. The bottom line: if you like the Enigma sound, this will be up your alley, full of the things you may seek out in a recording, but there is little new here.


Track Lists
01. Eppur Si Muove
02. Feel Me Heaven
03. Dreaming Of Andromeda
04. Dancing With Mephisto
05. Nothern Lights
06. Invisible Love
07. Message From IO
08. Hello And Welcome
09. 20,000 Miles Over The Sea
10. Sitting On The Moon
11. The Alchemist
12. Goodbye Milky Way

[2006] Islands - Return To The Sea (Mp3 Download)

Review by Tim Sendra @ allmusic.com
On their debut record, Return to the Sea, Montreal's Islands have crafted a rich, exciting, and emotionally deep sounding album that carries on the freewheeling spirit and sound of the Unicorns as well as that of the Elephant 6 bands of the late '90s. You see, Islands singer/guitarist/songwriter/producer Nick Diamonds and drummer Jaime were members of the Unicorns and they have taken the strengths of that band, amplified and adjusted them, added a few more vital ingredients, and come up with a disc that satisfies on a variety of levels and rates among the best indie rock around. The Unicorns were a lo-fi, experimental car crash of a band, equal parts whimsy and exuberance; Islands are a much more adult and measured experience with a much cleaner sound and more classic arrangements (lots of strings, accordions, standup bass, and pianos to go with the cheap synthesizers). Diamonds' voice is much less whimsical; he has scaled back on the Coyne meter from nine to around five and now conveys his slightly off-kilter lyrics with more emotion and honesty. Despite the changes, the group hasn't lost any of the sunshine-addled spark that the Unicorns had, as songs like the whirling "Don't Call Me Whitney, Bobby" or "Jogging Gorgeous Summer" (which comes kitted out with steel drums and recorder!) clearly demonstrate. The trippy "Volcanoes" (nice rock snob reference to the Troggs tapes in the lyrics), the indie psych/hip-hop mash-up featuring the rhyme skills of Subtitle and Busdriver, or the epic-length psychedelic singalong that opens the record so nicely ("Swans [Life After Death]") show that the band hasn't lost their ambition, either. "Ones" itself has more big-hearted ambition and dramatic power than most bands could dream of unleashing. The lovely instrumental "Tsuxiit" or the sweetly pop-rocking "Rough Gem" sound like the work of another band entirely, and indeed all of these comparisons to the Unicorns are ultimately irrelevant. It's not like you have to be a fan of that band to fall in love with this one. All you need is an indie pop heart and two functioning ears. A love of melodies and innocent weirdness. The ability to see through the clouds of hype surrounding other lesser bands and grab on tight to this band and record. So clap your hands, say yeah, and throw Islands a parade (wolf or otherwise) because Return to the Sea is an indie rock triumph!


Track Lists
01. Swans (Life After Death)
02. Humans
03. Don't Call Me Whitney, Bobby
04. Rough Gem
05. Tsuxiit
06. Where There's A Will, There's A Whalebone
07. Jogging Gorgeous Summer
08. Volcanoes
09. If
10. Ones
11. [Untitled]

[2001] Lesiem - Mystic Spirit Voices (Mp3 Download)

Sorry, No review available...

Track Lists
01. Lesiem
02. Occultum
03. Fundamentum
04. Vivere
05. Open Your Eyes
06. Indalo
07. Liberta
08. Miracle Eyes
09. Una Terra
10. Mater Gloria
11. Veni Creator Spiritus
12. Lacrimosa
13. Floreat
14. In Taberna Mori
15. Ave Fortuna
16. Liberta (Chior Version)